Genre: Science Fiction, Psychological Horror, Liminal Space Horror
Writer: Roberto Patino and Will Soodik
Director: Kane Parsons (Kane Pixels)
Stars: Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, Lukita Maxwell
Synopsis: A furniture store owner, Clark (Ejiofor), who plays a pirate in local ads, discovers a doorway in his basement leading to the Backrooms, an endless network of empty, liminal space
Review: Bilmuri put on a fantastic show at MGM Music Hall in Boston. The full, live band is extremely talented and Gabi Rose just destroys on stage, as usual. And Johnny always seems to be just having a blast doing this every night for crowds all over the world. He thanked the crowd multiple times throughout the show and mentioned recently being signed to Columbia. He made a great observation that when you visit their website now, he is sandwiched between Beyoncé, Billy Joel, Blink-182, and Bob Dylan.
They played a lot of newer songs, most of the best tracks from American Motorsports, and some deep cuts.
I was joined by two friends who went for The Home Team and walked away telling me they will definitely be joining me next time Bilmuri is in town.
Cast: Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless, Andy Richter
Synopsis: After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.
Review: This film is extremely original, creepy, fun, funny, scary, and well done. Curry Barker’s debut film is already breaking records, for good reason.
I have been following Curry Baker for a while now, as his sketch videos are very, very funny. After this film, he has already solidified himself as the next Jordan Peele and Zach Cregger.
The horror is already drumming up nominations for breakout star, Indie Navarrette. She uses impressive control of her voice, mannerisms, and facial features to bring other Nikki to life. And the sound in the film is very well done. Nikki’s uncontrollable descent into madness comes with some surprise sounds that vibrate and make you squirm in your seat.
The end of this movie is wild. An ending you won’t fully see coming. A third act that spirals.
The Head and the Heart have been one of my favorite bands for a long time now. Back when I lived in Colorado, I saw them at Red Rocks Amphitheatre a few summers in a row. I even caught one of their super intimate pop-up shows at a small venue in Denver with maybe 1,000 people packed in.
Since moving back east, I’ve seen them at Leader Bank Pavilion, but I was especially excited when I saw they were coming to Boston’s Theater District and playing their first album in its entirety. I honestly have no idea how that album is already 15 years old.
The whole night felt incredibly intimate. Everyone was seated in this beautiful theater, and the stage was set up like a living room.
For the first song or two, the crowd mostly stayed seated, probably just because of the theater setting. But the second “Lost in My Mind” started, the entire crowd stood up almost in unison, and most people stayed on their feet the rest of the night.
The band played through their debut album before jumping into a second half packed with songs from the albums that followed. You could feel the energy increase even more when “All We Ever Knew,” “Aperture,” “Missed Connection,” and “Shake” kicked in.
Between songs, the band shared stories, danced around the stage, and even lounged on the couch set up behind them.
There were nonstop sing-alongs, clapping, and those big crowd “ohs” and “ahs” bouncing back and forth between the band and an incredibly receptive audience.
This stop was the end of this leg of the tour, but they will be doing more anniversary shows, so get tickets for one of those!
Review: I got really into The Paper Kites last year. I had heard their hits, “Bloom” and “Paint” but really dove into their discography. Twelvefour has my favorite song, “Electric Indigo,” Roses has my second favorite, “Climb Up Your Tears” and a beautiful song, Walk Above the City” featuring Maró. At The Roadhouse has the Fleetwood Mac inspired “Black & Thunder.” And their latest album,
“It You Go There, I Hope You Find It has some favorites like “Change of the Wind,” “Deep (In the Plans We Made),” and “When the Lavender Blooms.”
I almost caught them on tour last fall, opening for The Teskwy Brothers, but didn’t wind up making it out. While I wish I did, I am glad I got to see them on their own headlining tour in such an intimate venue like Royale in Boston.
I also was really sold on this show for the opener, Donovan Woods. I had favorited his track “Portland, Me,” a year or so back on Spotify and then he recently showed up again. His song, “I Talk About You,” from his latest release is a stunning, beautiful, and depressing song with a heavy Celtic funereal inspiration.
The show was one of the best ones I have been to in a while. Donovan Woods is just as funny as he is talented in the singer-songwriter department. He told some fun stories and was self deprecating. He had the crowd cracking up when he told them, sarcastically, how back in the day it was an honor to try on the radio and the equivalent of that today is being added to a Spotify playlist.
The Paper Kites started off their set with eveyone around one microphone, singing in unison. Usually, band saves this for later on in their set, but the Australian folk band was opening the show with the vibe of the next hour and a half. Not to say that the band doesn’t have some great rock songs up their sleeves. They played my favorite song, “Electric Indigo” and the Fleetwood Mac inspired “Black & Thunder.”
Synopsis: A woman takes a job as a housekeeper in a NYC high-rise, unaware of the building’s history of disappearances. She soon realizes the community is shrouded in mystery.
Cast: Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Verónica Falcón
Synopsis: The young daughter of a journalist disappears into the desert without a trace. Eight years later, the broken family is shocked when she is returned to them, as what should be a joyful turns into a living nightmare.
Review:
Lee Ronin’s The Mummy was a fun ride. I read the hype for it and I really hoped that it was as gross and disturbing as it said. And it was just about there.
The movie introduces some new things in horror and I thought the last scene was really cool and original.
We are all waiting for a new Mummy movie with Brendan Frazier. This feels like The Mummy and also its own standalone thing. Universal Monsters has not had a lot of luck recently with its films, but hopefully this can help it out.
I am a Lee Cronin fan. He knows how to use blood, gore, scares.